WOTS, Word On the Site, is a project that believes that the word of people should be seen as frequently as advertising and network news. It should be made clearly visible to the public, such as on LED displays. You can submit a poem, thought, or words of wisdom that may be scrolled on a large LED electronic display in Downtown Boston. For more information, visit http://www.freewalkers.com. This is part of the Digital Art in Public Space Conference.
The frAme Journal of Culture & Technology is looking for digital artwork/multimedia, generative works, hypermedia, codework, interviews with artists/writers, critical essays, and writing related to new media. Please send your work to Simon Mills.
Vol. 5, No. 2 of The Iowa Review Web features: “A Media Theory of Consciousness” by Anthony Enns, a review of Joseph Tabbi’s Cognitive Fictions; an interview with Tabbi, and Tabbi’s “Overwriting”; “The nEARness/t of [IrOny] U’s” an interview with Talan Memmott by M.D. Coverley, and Memmott’s “Self Portrait(s) [as Other(s)]; The Very Essence of Poetry”: Judd Morrissey and Lori Talley’s My Name is Captain, Captain by Jessica Pressman, and Flying Blind: An Interview with Judd Morrissey and Lori Talley by Jessica Pressman; “Relics and Kindling: An Autobiography “by Eric Pankey; and “American Mammals” by Ina Grigorova.
RCCS’s book reviews for April include: Frank Webster’s Culture and Politics in the Information Age: A New Politics? reviewed by Joseph Savirimuthu; Henry C. Lucas, Jr.’s Strategies for Electronic Commerce and the Internet reviewed by Edward Castronova; Sally Wyatt, Flis Henwood, Nod Miller & Peter Senker’s Technology and In/equality: Questioning the Information Society reviewed by Dougie Bicket and Yu-hua Chang; and Arthur Asa Berger’s Video Games: A Popular Culture Phenomenon reviewed by W. Bradford Mello.
JavaMuseum is proud to launch I – Highway – Netart from Canada, a new show that focuses on netart and the position of New Media art in Canada.
